Wed Oct 11, 2017 1:05 pm
Wed Oct 11, 2017 5:11 pm
Wed Oct 11, 2017 8:23 pm
chronical wrote:No way in hell is Poly-Ana BOC's tuss. It's good but it doesn't ring a single hexagon bell for me personally..
Wed Oct 11, 2017 9:54 pm
Wed Oct 11, 2017 10:28 pm
ParticleGhost wrote:Poly-Ana is the name of Brainwaltzera's new album
Wed Oct 11, 2017 11:45 pm
Thu Oct 12, 2017 9:28 am
Thu Oct 12, 2017 9:49 am
chronical wrote:No way in hell is Poly-Ana BOC's tuss. It's good but it doesn't ring a single hexagon bell for me personally..
Thu Oct 12, 2017 10:01 am
Thu Oct 12, 2017 10:02 am
Thu Oct 12, 2017 10:22 am
Thu Oct 12, 2017 12:43 pm
Mikey wrote:chronical wrote:No way in hell is Poly-Ana BOC's tuss. It's good but it doesn't ring a single hexagon bell for me personally..
The first track on the album that synth line in the middle
https://youtu.be/8HCXfp9yd7s?t=2m11s
Thu Oct 12, 2017 1:47 pm
chronical wrote:Mikey wrote:chronical wrote:No way in hell is Poly-Ana BOC's tuss. It's good but it doesn't ring a single hexagon bell for me personally..
The first track on the album that synth line in the middle
https://youtu.be/8HCXfp9yd7s?t=2m11s
that reminds me more of Christ. than Boards Of Canada
Thu Oct 12, 2017 5:38 pm
Thu Oct 12, 2017 6:55 pm
Thu Oct 12, 2017 11:43 pm
Fri Oct 13, 2017 12:44 am
Valotonin wrote:Opthocary, I am bored.
Can you give me a prediction from your crystal ball to keep me going on with ?
Not the maths involved as I can see that is already covered, just the outcome of your calculations and possibles date(s) involved.
Fri Oct 13, 2017 2:07 am
Fri Oct 13, 2017 7:01 am
Mikey wrote:I think track 6's name sounds like something Christ would use - "mixolydian transition 18"
Fri Oct 13, 2017 8:59 am
reflex17 wrote:Mikey wrote:I think track 6's name sounds like something Christ would use - "mixolydian transition 18"
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The Mixolydian Scale (or mode) is one of the modal scales. They are all origins of ancient Greek music and are used in modern music like jazz and funk. You may recognize the dominant pattern in the interval: 1 2 3 4 5 6 b7. Compare this to the dominant 7th chord with scale steps 1 3 5 b7.
Modes are alternative tonalities (scales) that can be derived from the familiar major scale by starting on a different scale tone. Music that uses the traditional major scale can be said to be in the Ionian mode. For example, in the key of C, the Ionian scale would be C D E F G A B. The other familiar mode is Aeolian.
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; a modern musical mode or diatonic scale, related to the medieval mode.
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