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Some tracks deliberately finish earlier than you want them to, like actual cues in older soundtracks where they've been ripped out of much longer original masters that nobody ever gets to hear.
MindElevation wrote:Some tracks deliberately finish earlier than you want them to, like actual cues in older soundtracks where they've been ripped out of much longer original masters that nobody ever gets to hear.
Some tracks deliberately finish earlier than you want them to, like actual cues in older soundtracks where they've been ripped out of much longer original masters that nobody ever gets to hear.
There's actually more use of subliminals on this record than on any previous album we've done, so we're interested to see what people will pick up on.
PlatrixECV wrote:Nihilists! Fuck me. I mean, say what you like about the tenets of National Socialism, Dude, at least it's an ethos.
mvj wrote:There's actually more use of subliminals on this record than on any previous album we've done, so we're interested to see what people will pick up on.
holy shit
time to listen to the album once again haha
In a way we're really celebrating an idea of collapse rather than resisting it. I
Sandison: "There are quite a few influences on this record. Carpenter is kind of an easy reference point for most people though I'd say the main ones would be Fabio Frizzi, John Harrison and Mark Isham. We're very much into grim 70s and 80s movie soundtracks so there are maybe nods to composers such as Stefano Mainetti, Riz Ortolani, Paul Giovanni, Wendy Carlos, even Michael Nyman."
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