Tue Jan 13, 2009 8:29 pm
Tue Jan 13, 2009 8:30 pm
Tue Jan 13, 2009 8:32 pm
Tue Jan 13, 2009 8:48 pm
Tue Jan 13, 2009 8:50 pm
Tue Jan 13, 2009 9:02 pm
Guido wrote:It's funny, when I first saw that picture I didn't notice the shape of the sun..
Tue Jan 13, 2009 9:07 pm
Tue Jan 13, 2009 10:05 pm
Guido wrote:It's funny, when I first saw that picture I didn't notice the shape of the sun..
Tue Jan 13, 2009 10:32 pm
zeitgeist wrote:good story hansel.
Wed Jan 14, 2009 12:44 am
turquoise70 wrote:zeitgeist wrote:good story hansel.
I've never even been to Mount Vesuvius!
Wed Jan 14, 2009 1:01 am
Wed Jan 14, 2009 1:25 am
Wed Jan 14, 2009 1:28 am
jakestott wrote:
Wed Jan 14, 2009 2:15 am
bleak. wrote:jakestott wrote:
druggiest boc pic ever?
Wed Jan 14, 2009 4:37 am
bleak. wrote:if i had to choose a favourite, it would have to be these two images -![]()
Wed Jan 14, 2009 9:39 am
saturdayindex wrote:These two images are like windows into Mike and Marcus's souls. I feel like elder Mike seems like the more rebellious one, the one who probably has a bit of a darker side than his younger brother. He looks at the camera in a commanding, almost foreboding fashion. His hands, held straight together, suggests that he is a man with a plan, a man who is in control, who is aware of his body language. His hands are tilted slightly downward to the earth, in contrast to the traditionally upward-pointed hands of prayer, as if to say "this is how it's going to be".
Marcus, the self-stated author of "Farewell Fire", by contrast, is probably the more sentimental of the two--his eyes averted off-stage, lost deep in thought, his facial expression, though hardened like his brother, more one of sadness than of darkness. His arms are crossed as if to say, "this is how it is."
Wed Jan 14, 2009 11:24 am
saturdayindex wrote:bleak. wrote:if i had to choose a favourite, it would have to be these two images -![]()
These two images are like windows into Mike and Marcus's souls. I feel like elder Mike seems like the more rebellious one, the one who probably has a bit of a darker side than his younger brother. He looks at the camera in a commanding, almost foreboding fashion. His hands, held straight together, suggests that he is a man with a plan, a man who is in control, who is aware of his body language. His hands are tilted slightly downward to the earth, in contrast to the traditionally upward-pointed hands of prayer, as if to say "this is how it's going to be".
Marcus, the self-stated author of "Farewell Fire", by contrast, is probably the more sentimental of the two--his eyes averted off-stage, lost deep in thought, his facial expression, though hardened like his brother, more one of sadness than of darkness. His arms are crossed as if to say, "this is how it is."
Wed Jan 14, 2009 4:35 pm
saturdayindex wrote:bleak. wrote:if i had to choose a favourite, it would have to be these two images -![]()
These two images are like windows into Mike and Marcus's souls. I feel like elder Mike seems like the more rebellious one, the one who probably has a bit of a darker side than his younger brother. He looks at the camera in a commanding, almost foreboding fashion. His hands, held straight together, suggests that he is a man with a plan, a man who is in control, who is aware of his body language. His hands are tilted slightly downward to the earth, in contrast to the traditionally upward-pointed hands of prayer, as if to say "this is how it's going to be".
Marcus, the self-stated author of "Farewell Fire", by contrast, is probably the more sentimental of the two--his eyes averted off-stage, lost deep in thought, his facial expression, though hardened like his brother, more one of sadness than of darkness. His arms are crossed as if to say, "this is how it is."
Thu Jan 15, 2009 1:10 am
Thu Jan 15, 2009 11:55 am