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Fri Mar 21, 2014 7:32 pm

We'll see if anyone ever gets the theme they were going for...

Sat Mar 22, 2014 12:07 am

TH is about the impending collapse of society, how humans will deal with it, and what will come after.

Sun Mar 23, 2014 3:50 pm

zeoevil wrote:TH is about the impending collapse of society, how humans will deal with it, and what will come after.

It's anything but apocalyptic, remember

Sun Mar 23, 2014 4:10 pm

I think it is about posing the question of "What is society building towards?", acknowledging our imperfect idea of perfectibility, and facing the infinite

Sun Mar 23, 2014 9:54 pm

Najlepsiejszy wrote:
zeoevil wrote:TH is about the impending collapse of society, how humans will deal with it, and what will come after.

It's anything but apocalyptic, remember.

The collapse of society isn't an apocalypse. An apocalypse is either a revelation or, in modern terms, the end of the world, something of a magnitude much greater than a collapse.

Mon Mar 24, 2014 1:33 pm

zeoevil wrote:
Najlepsiejszy wrote:
zeoevil wrote:TH is about the impending collapse of society, how humans will deal with it, and what will come after.

It's anything but apocalyptic, remember.

The collapse of society isn't an apocalypse. An apocalypse is either a revelation or, in modern terms, the end of the world, something of a magnitude much greater than a collapse.


...Seriously?

Mon Mar 24, 2014 11:18 pm

Najlepsiejszy wrote:...Seriously?

Yes. Why? What am I missing here?

Mon Mar 24, 2014 11:24 pm

maybe its a boc collapse
Last edited by Keeoaddi on Thu Apr 24, 2014 7:45 pm, edited 1 time in total.

Tue Mar 25, 2014 3:28 pm

Opothecary wrote:A13 from R35TT (maybe a remaster would help a little)


Hahaha... but that's the best track on R35TT (I'm serious)

It's on par with 5d at least, if nothing else.

I might agree with you on the others, Light Clear Hair and PC are obviously worthless, as a lot of OT vol. 1 is to me if I'm honest. It's my least favourite of their unreleased material by some margin.

But I've thought A13 was one of the most beautiful and powerful pieces of ambient music I've heard from them from the start.

As for my selections: A12 is one track I do not like. Cheesy, 80's sounding synthpop groove which is exactly what I don't listen to BoC for. And The Way You Show is the worst thing they've ever committed to tape.

There are many insignificant Old Tunes tracks which either do nothing for me or I actively dislike but it's not worth mentioning them all here. I will say that while I don't dislike it, Boqurant's never really done a lot for me so I find it strange that it's so talked about.

Tue Mar 25, 2014 4:47 pm

Yeah That's Right wrote:Hahaha... but that's the best track on R35TT (I'm serious)

It's on par with 5d at least, if nothing else.

I might agree with you on the others, Light Clear Hair and PC are obviously worthless, as a lot of OT vol. 1 is to me if I'm honest. It's my least favourite of their unreleased material by some margin.

But I've thought A13 was one of the most beautiful and powerful pieces of ambient music I've heard from them from the start.

As for my selections: A12 is one track I do not like. Cheesy, 80's sounding synthpop groove which is exactly what I don't listen to BoC for. And The Way You Show is the worst thing they've ever committed to tape.

There are many insignificant Old Tunes tracks which either do nothing for me or I actively dislike but it's not worth mentioning them all here. I will say that while I don't dislike it, Boqurant's never really done a lot for me so I find it strange that it's so talked about.


Sorry, like I said, most of my issue with A13 is down to the quality of the recording we have. A lot of the OT stuff lends itself very well to having a damaged quality because of the format, but this doesn't do it for me.

Truthfully The Way You Show doesn't do much for me either. I think the second half of OTV2 is almost all killer no filler, as is R35TT in general. OTV1 has some of the better long form songs sprinkled throughout, OTV2 is all about the vignette length tracks being excellent.

Tue Mar 25, 2014 6:55 pm

zeoevil wrote:
Najlepsiejszy wrote:...Seriously?

Yes. Why? What am I missing here?


You're nitpicking

Tue Mar 25, 2014 9:31 pm

Opothecary wrote:Sorry, like I said, most of my issue with A13 is down to the quality of the recording we have. A lot of the OT stuff lends itself very well to having a damaged quality because of the format, but this doesn't do it for me.

Truthfully The Way You Show doesn't do much for me either. I think the second half of OTV2 is almost all killer no filler, as is R35TT in general. OTV1 has some of the better long form songs sprinkled throughout, OTV2 is all about the vignette length tracks being excellent.

No need to apologise, we'll just have to agree to disagree on that one - while some of the old tunes could really do with a remaster I actually don't mind the quality of A13's recording at all, I think it has a lot of texture and character as it is. I actually think it has a surprisingly dark aesthetic which very much sounds like the basis for the formula used in Everything You do is a Balloon - a neutral beat layered against very gloomy, ominous synth pads and an extremely melancholic yet uplifting melody. Dat atmosphere. Both those tracks evoke the same awe-stricken, pensive feeling in me. Powerful stuff.

Agree with your sentiments about each Old Tunes. V2 has the fantastically structured vignettes and Buckie High, OTV1 is the least consistent but its' most redeeming factor is a couple of the longer tracks - 5.9.78 (of course), Forest Moon, maybe Finity and Skimming Stones and I personally really dig She is P. R35TT is a mixed bag but it has the highest highs of the three, no doubt.

Tue Mar 25, 2014 11:25 pm

Najlepsiejszy wrote:You're nitpicking.

Oh. Is that all? And here I thoughts words actually meant things and stuff. My bad.

I guess I don't really look at a collapse as being on the same level as global thermonuclear war or the coming of the Four Horsemen of the Apocalypse. Fair enough.

Wed Mar 26, 2014 3:18 pm

zeoevil wrote:
Najlepsiejszy wrote:You're nitpicking.

Oh. Is that all? And here I thoughts words actually meant things and stuff. My bad.

I guess I don't really look at a collapse as being on the same level as global thermonuclear war or the coming of the Four Horsemen of the Apocalypse. Fair enough.


Oh, poor you!

All 3 are terrible and when somebody says "apocalypse" they mean the end of the world in a broader way- like a collapse of the whole society(something tells me the brothers didn't use a dictionary and wikipedia while answering the question)
Last edited by Najlepsiejszy on Wed Mar 26, 2014 4:02 pm, edited 1 time in total.

Wed Mar 26, 2014 3:22 pm

Yeah That's Right wrote:
Opothecary wrote:A13 from R35TT (maybe a remaster would help a little)


Hahaha... but that's the best track on R35TT (I'm serious)

It's on par with 5d at least, if nothing else.

I might agree with you on the others, Light Clear Hair and PC are obviously worthless, as a lot of OT vol. 1 is to me if I'm honest. It's my least favourite of their unreleased material by some margin.

But I've thought A13 was one of the most beautiful and powerful pieces of ambient music I've heard from them from the start.

As for my selections: A12 is one track I do not like. Cheesy, 80's sounding synthpop groove which is exactly what I don't listen to BoC for. And The Way You Show is the worst thing they've ever committed to tape.

There are many insignificant Old Tunes tracks which either do nothing for me or I actively dislike but it's not worth mentioning them all here. I will say that while I don't dislike it, Boqurant's never really done a lot for me so I find it strange that it's so talked about.
Old tunes is great, its basically the odds and ends of tracks they've made.

Wed Mar 26, 2014 11:32 pm

Najlepsiejszy wrote:(something tells me the brothers didn't use a dictionary and Wikipedia while answering the question)

Really? Two guys with multiple songs about God spread throughout all of their major releases (including the one we're talking about) don't know the biblical definition of the word apocalypse? Huh. I find that hard to believe.

Truth be told, I didn't even know that until someone brought it up in a thread here on this site, so it isn't like it's a theory that hasn't already been put out there. For that exact reason, it isn't like you're wrong to say people use apocalypse in the way you have said they do. They do. I took you saying Tomorrow's Harvest was anything but apocalyptic to be a missed reference to an interview or something that I vaguely recall hearing about. If I'm wrong, then let me know.

I formed and then expressed my interpretation of Tomorrow's Harvest based on the sum of the whole of my experiences with the music of Boards of Canada and with the extensive discussion we've all had here on this site. To me, it is about some kind of ecological or societal Collapse, an apocalypse (Palace Posy), and the New Seeds (See what I did there?) that will eventually grow. If I'm wrong, then I'm wrong. Who cares? I guess that's the beauty of music.

Thu Mar 27, 2014 7:37 am

Rue the Whirl. Which is funny because when I was first getting into the group it gripped me. Now I can't wait till it ends.

Thu Mar 27, 2014 10:05 am

1. That rounded font they use. It looks cheap, and like it's from MS Word. I'm sorry.
2. MHTRTC and TCH artwork are very similar in colour.. I like it when a band's album artwork is distinctive from one album to the next.
3. Tomorrow's Harvest should have been called Cosecha

and of course Solange Knowles goes without saying, I think

Thu Mar 27, 2014 3:52 pm

ryanhewitt wrote:2. MHTRTC and TCH artwork are very similar in colour.. I like it when a band's album artwork is distinctive from one album to the next.


I like how most of it looks similar viewed from the spine. Turquoisey green.

http://postimg.org/image/suux5id0t/

Thu Mar 27, 2014 4:27 pm

zeoevil wrote:
Najlepsiejszy wrote:(something tells me the brothers didn't use a dictionary and Wikipedia while answering the question)

Really? Two guys with multiple songs about God spread throughout all of their major releases (including the one we're talking about) don't know the biblical definition of the word apocalypse? Huh. I find that hard to believe.

Truth be told, I didn't even know that until someone brought it up in a thread here on this site, so it isn't like it's a theory that hasn't already been put out there. For that exact reason, it isn't like you're wrong to say people use apocalypse in the way you have said they do. They do. I took you saying Tomorrow's Harvest was anything but apocalyptic to be a missed reference to an interview or something that I vaguely recall hearing about. If I'm wrong, then let me know.

I formed and then expressed my interpretation of Tomorrow's Harvest based on the sum of the whole of my experiences with the music of Boards of Canada and with the extensive discussion we've all had here on this site. To me, it is about some kind of ecological or societal Collapse, an apocalypse (Palace Posy), and the New Seeds (See what I did there?) that will eventually grow. If I'm wrong, then I'm wrong. Who cares? I guess that's the beauty of music.


The biblical definition is the victory of good over evil, right?

A zombie apocalypse like in "The Walking Dead" is a collapse of society, right? There are still some people alive in "The Walking Dead"

So IT IS about an apocalypse to you...
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