rainier wrote:
I've seen a couple people say this here and elsewhere. I don't agree with the amateurish sounding though, I think there are a lot of intricacies here that I didn't notice at first listen. It isn't one of their "weirder" tracks, but that doesn't bother me in any way.
yeah i think for some people it's difficult to reconcile the two very different styles in boards of canada's repertoire. at the risk of oversimplifying, there's the earlier tracks that are more melody-based, like "roygbiv" and "sixtyniner," and then the ones that are more atmospheric and production-based like "reach for the dead." and it does seem that they are moving away from melody to some degree.
i recall one "campfire headphase" review which commented that they're becoming better producers but that their songwriting peak is possibly behind them, which i agreed with at the time to some degree and maybe still do (disclaimer: i love "campfire headphase.") so perhaps something is being lost and something is being gained. "reach for the dead" is a marvel of production - it's absolutely immaculate. "turquoise hexagon sun" now sounds pretty quaint in comparison. however in my heart i still love those early, dorky tracks like "turquoise" and "seeya later." i got on board with boards of canada (absolutely no pun intended) around 97-98 and so the style of that era is the one that's cemented in my brain as "their signature" but i'm finding it really easy to accommodate their new direction (though i still haven't come to terms with "dayvan cowboy" but we needn't get into that.)
when i think of the arpeggiated synth in "reach" as a reference to early 80s thriller/horror cinema soundtracks, it's easier to place the track in the larger context of BoC's work, especially when compared with something like "M9." and as others have noted, it does play out like a less frantic "xyz," with the scale and pacing of "1969."