Ciaranarchy wrote:Ok, here's my honest assessment:
First listen - a little underwhelmed. I thought it was very good but I was hoping for something less ambient and more melodic. Found myself hoping that it was an intro, a taster, and only representative of the album stylistically rather than musically.
Then I listened while watching the video. And wow, it all came together in a big way. That is a stunning video, one of the best I have ever seen if not the best (Krug is now top of my "directors I want to work with" list) And the song, I don't know, it just did something to me. Something it didn't the first time. It was potent.
I gave it a few hours and I've just listened and watched the video again and wow, it drew me in deep. Without seeming like a wank about it, it was pretty transcendent. Truly impressive what they have done here, it goes beyond music. Krug and Boards is an incredible collaboration.
Now I feel like Tomorrow's Harvest could be their defining work. All I can think of after listening to that track for the third time is "You can tell it was 7 years in the making, these guys are perfectionists indeed." etc. I can only imagine what wonders the album has in store. And my anticipation is now at fever pitch. The idea of having more incredible, musical experiences like the one I just had - wow.
I am sure Boards of Canada don't read this forum themselves (doesn't seem like their style, in my humble opinion), but just on the off chance: thanks for creating something beautiful.
Haha as much as I agree about the video, and hope once I give my ears a rest with a TCH interlude and get back to it will be as ethereal as you describe, not that I haven't already had a slight eargasm/braingasm already.. I might add.
BUT!~ I think the reason they took 8 years or so to release another piece of music is because they took a family orientated sabbatical and more than likely moved away from each other, possibly to different sides of the world.. I like to think that one of them has permanently moved to Tasmania or New Zealand as it seems to me to be the most BOC appropriate place to live, with what I can only infer as their "style" or "personal intricacies". Then they got back together and jammed out this album.. That's the way I see it anyway. The were pissing in each other pockets no doubt for some time there during the late 90's and early 2000's, and who wouldn't get a little boxed in with that?
