Fri Jun 08, 2012 4:58 am
zeoevil wrote:I am not sure how I missed this thread the first time around. Consider this. How many times has Boards of Canada directly referenced the title of a song in the song itself other than the short vignettes? Have they done it enough that you would consider it something they are likely to do? Are they likely to have found a sample of the word Noatak? If you can find a sample of the word Noatak that Boards of Canada might have had access to then you might find your answer.
Fri Jun 08, 2012 10:17 am
Sat Jun 09, 2012 12:01 am
PlacentaSand wrote:zeoevil wrote:I am not sure how I missed this thread the first time around. Consider this. How many times has Boards of Canada directly referenced the title of a song in the song itself other than the short vignettes? Have they done it enough that you would consider it something they are likely to do? Are they likely to have found a sample of the word Noatak? If you can find a sample of the word Noatak that Boards of Canada might have had access to then you might find your answer.
What about In a Beautiful Place Out In The Country and 1969? Those voices are mysteries. The brothers might have used their own voices for some tracks, like Smokes Quantity. They've said they used their friends voices before as well.
Mon Jun 18, 2012 10:09 pm
mdg wrote:Lens Larque wrote:how about See the Rainbow?
What does it mean?
Sat Aug 11, 2012 6:27 am
Sat Aug 11, 2012 4:19 pm
Sat Aug 11, 2012 4:51 pm
jjjamz365 wrote:at 0:35 into 0:36 theres a kid voice saying 'louder'
do you hear that? its kinda obvious cos right after that vocal sample the second bass drum comes in and the song gets louder
anyway... your times are off when that vocal sample comes in and actually it starts at 5:22 and sounds to me like it's saying 'too mental' or 'it's a mentos' 'it's a rainbow'
one thing you'v got to keep in mind is, that when you listen to bocs stuff sometimes the way they cut up their vocal samples it's made just to blend in with the song.
Sat Aug 11, 2012 10:06 pm
lurkingrecords wrote:jjjamz365 wrote:at 0:35 into 0:36 theres a kid voice saying 'louder'
do you hear that? its kinda obvious cos right after that vocal sample the second bass drum comes in and the song gets louder
anyway... your times are off when that vocal sample comes in and actually it starts at 5:22 and sounds to me like it's saying 'too mental' or 'it's a mentos' 'it's a rainbow'
one thing you'v got to keep in mind is, that when you listen to bocs stuff sometimes the way they cut up their vocal samples it's made just to blend in with the song.
I'll let you take one guess of whether or not I know EXACTLY where all the vocal samples are after completing this mix.
Sat Aug 11, 2012 10:43 pm
Sat Aug 11, 2012 11:15 pm
jjjamz365 wrote:was i talking to you? no i was not if you have control to ban me now, do it!
Mon Aug 20, 2012 5:57 pm
lurkingrecords wrote:I just recently found the cleaner version of ATP Track 7 (I got really excited about it) and decided to clean it up and mix it with the overly bassy/distorted track I've had kicking around for a long time. The resulting mix seems to have the best of both worlds now, although you can hear a few parts where it phases a lot (nothing can completely fix this unfortunately).
https://dl.dropbox.com/u/32312199/Boards%20of%20Canada%20-%20ATP%202001%20-%20Track%207%20Remastered.mp3
Here's the link. For anyone technical-minded wondering what was touched up, here's the rundown:
-Two of the known recorded tracks overlayed (as good as possible)
-Tighter, Center-Focused Bass Frequencies
-25% More Stereo Width (Live setting really lends itself to this)
-Slight Phase Rectifier
-EQ'ing
-Slightly More Compressed
I found after mixing it I could hear the vocoder voice a lot better and could hear the creepy female vocals near the end a lot better also. Let me know if you like it...I personally hate listening to amazing tracks with unfortunate live EQ problems. I also decided to put this up because I couldn't download the other two contributors' remastered tracks anymore (broken link?). Hopefully this is a bit more clear!
Fri Dec 07, 2012 12:00 am
jjjamz365 wrote:at 0:35 into 0:36 theres a kid voice saying 'louder'
do you hear that? its kinda obvious cos right after that vocal sample the second bass drum comes in and the song gets louder
Tue Jan 22, 2013 3:33 pm
Tue Jan 22, 2013 4:52 pm
Fredd-E wrote:I was listening to isolatedmix 34 by Anders Ilar and near the end of this fabulous mix I hear a song that reminds me of unknown track @ ATP which is discussed in this thread.
The song in this mix by Anders Ilar is Severed Heads - in her hair... guard dog on patrol, released in 1982.
Is it just me or do these two tracks sounds similar in some way or another? At the very least I do get a very boccy feel from that Severed Heads track. Something about that drum pattern, the eerie bassline and the general mood. Also a bit telephasic workshop like...
What do you all think?
Tue Jan 22, 2013 5:29 pm
Tue Jan 22, 2013 7:29 pm
Wed Jan 23, 2013 1:29 pm
Fredd-E wrote:I was listening to isolatedmix 34 by Anders Ilar and near the end of this fabulous mix I hear a song that reminds me of unknown track @ ATP which is discussed in this thread.
The song in this mix by Anders Ilar is Severed Heads - in her hair... guard dog on patrol, released in 1982.
Is it just me or do these two tracks sounds similar in some way or another? At the very least I do get a very boccy feel from that Severed Heads track. Something about that drum pattern, the eerie bassline and the general mood. Also a bit telephasic workshop like...
What do you all think?
Fri Feb 01, 2013 3:44 pm
mdg wrote:Lens Larque wrote:how about See the Rainbow?
What does it mean?
Fri Feb 01, 2013 4:58 pm
Saakki wrote:Woah. Thats a nice find. Looks like they have made a big load of albums also:
http://www.discogs.com/artist/Severed+Heads
. Never heard of em before.
Sun Mar 03, 2013 12:17 am
Fredd-E wrote:I was listening to isolatedmix 34 by Anders Ilar and near the end of this fabulous mix I hear a song that reminds me of unknown track @ ATP which is discussed in this thread.
The song in this mix by Anders Ilar is Severed Heads - in her hair... guard dog on patrol, released in 1982.
Is it just me or do these two tracks sounds similar in some way or another? At the very least I do get a very boccy feel from that Severed Heads track. Something about that drum pattern, the eerie bassline and the general mood. Also a bit telephasic workshop like...
What do you all think?