Bibio is kind of a remarkable experience for me. At the time when Fi came out I bought it on vinyl and loved the minimal melancholic touch to it. After a few years his guitar based music started to irritate me.. not sure why though but I skipped his songs when a song passed on shuffle. So in the end Fi and Hand Cracked faded away in my music listening habit.
2009 he shook things really up by releasing 3 albums. Vignetting the Compost which was released in February had this guitar based style which I didn't really like because it had too much in common with his earlier work so I kind of knocked Bibio of my music radar.
Later that year he released Ambivalence Avenue and I was quite surprised by his change of style. He used the guitar less and there were even beats present but still didn't really grab my attention.
When he released The Apple and the Tooth he got my attention all back again. It sounded like nostalgic pop songs to me and the guitar didn't disturb me at all. I really loved the diversity of all the instruments.
The other year when he released K is for Kelson and Take off Your Shirt he surprised me again. His production nowadays is in contrast to what he released in 2006. Stuff he produces nowadays has a very poppy sound to it and is very accessible compared to his earlier stuff.
I don't know that much artists who evolve this much over the years. To me he grew from an adolescent to an adult music wise over the years. This doesn't mean that his older stuff sounds childish. I guess it is sallowness(then) vs diversity(now) what gives me this feeling.
All in all he is an artist who made a huge growing curve to me and is back on my music radar
