Moderator: Aesthetics
'robotanalysis wrote:After a long hiatus, I'm really enjoying making music again (finally have a piano in the house!), but I don't think my style is appropriate for this compilation. Good luck to everyone still crunching away.
Shadowshocker wrote:'robotanalysis wrote:After a long hiatus, I'm really enjoying making music again (finally have a piano in the house!), but I don't think my style is appropriate for this compilation. Good luck to everyone still crunching away.
No dude, make something sweet!
Katshinka wrote:Funny, a couple months back I was repetedly listening to the Campfire Headphase, and came up with a tribute. Thinking of posting it. Will maybe need adjustments.
Katshinka wrote:Funny, a couple months back I was repetedly listening to the Campfire Headphase, and came up with a tribute. Thinking of posting it. Will maybe need adjustments.
747Music wrote:You might like some of the older Infected Mushroom songs, ever heard of 'em?
mondo swooper70 wrote:theres always room for adjustments! its very frustrating
majkaisboard wrote:I can't believe my luck!
I came across Saturday Index and twoism.org on lastFM
and eventually found my way here.
Site is awesome!!
...but I'm so happy I managed to get here to submit a track in
before the deadline.
Hope to be a regular here now!
best of luck to all y'all!
Phasen wrote:Okay. I'm starting to get extremely excited for this now
sub-r wrote:Phasen wrote:Okay. I'm starting to get extremely excited for this now
Same here!
...gonna submit the other ones tomorrow.
IanRedpoint wrote:Any rules we need to follow for production/compression/mastering?
Almost got a full track complete and a short interlude thing too. I *love* my Juno.
Before you make delivery arrangements, please ensure the original file is at the very least a 44.1kHz/16-bit stereo .wav or .aif recording (24-bit is preferred and strongly recommended) and that no dynamic compression or limiting has been applied to the stereo mix for the sake of loudness (don’t worry if you mix through a bus compressor—that’s fine). It is very difficult to restore the punch and transient attack of your material if it has already been severely brick-walled, so please refrain from limiting (or worse, clipping) your mixes before delivery, and ideally leave at least 2-3dB of headroom in your mixdowns.
Guido wrote:IanRedpoint wrote:Any rules we need to follow for production/compression/mastering?
Almost got a full track complete and a short interlude thing too. I *love* my Juno.
I saw this on the site of Ochre's mastering service:Before you make delivery arrangements, please ensure the original file is at the very least a 44.1kHz/16-bit stereo .wav or .aif recording (24-bit is preferred and strongly recommended) and that no dynamic compression or limiting has been applied to the stereo mix for the sake of loudness (don’t worry if you mix through a bus compressor—that’s fine). It is very difficult to restore the punch and transient attack of your material if it has already been severely brick-walled, so please refrain from limiting (or worse, clipping) your mixes before delivery, and ideally leave at least 2-3dB of headroom in your mixdowns.
Makes sense. Might be a good idea to put this kind of information in the topic next time.
Let's make this the standard with our next edition. With the .aif format excluded though.Guido wrote:Before you make delivery arrangements, please ensure the original file is at the very least a 44.1kHz/16-bit stereo .wav or .aif recording (24-bit is preferred and strongly recommended) and that no dynamic compression or limiting has been applied to the stereo mix for the sake of loudness (don’t worry if you mix through a bus compressor—that’s fine). It is very difficult to restore the punch and transient attack of your material if it has already been severely brick-walled, so please refrain from limiting (or worse, clipping) your mixes before delivery, and ideally leave at least 2-3dB of headroom in your mixdowns.
Makes sense. Might be a good idea to put this kind of information in the topic next time.
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