Moderators: Aesthetics, Drones, Hexagon Sun
Helios wrote:How does anything from ATP07 being the same in b2 mean anything? If they're the same track, or mostly the same track, how can anyone know it wasn't created that way to begin with? Genuinely asking as I don't understand any of the prior posts.
llydia wrote:Its a fake.
We've already been lucky enough to get old tunes!
They've got to leave at least something for the bocset...
audiotrack wrote:You see this is where MDG would be extremely informative in letting us know either way….
I know a lot on here say…. ‘well why should he?? ‘ but he’s made comments for less.
Or maybe he / they think it’s best left alone to enlighten the mystery.
Catalogue 3 (Music70, 1987 - Music70, 1997) has three lengthy tracks of rather uneventful ambient electronica (Line Two, Breach Tones, Visual Drone 12) and two shorter tracks. Their mellow, disjointed electronica was not particularly revolutionary. Acid Memories (Music70, 1989) is even less imposing, as are the 17 short pieces of Closes Volume 1 (Music70, 1993 - Music70, 1997), but Play By Numbers (Music 70, 1994), with the 9-minute Infinite Lines Of Colourful Sevens, showcased a more creative approach.
The EP Hooper Bay (MUsic 70, 1994), whose extended compositions are Seward Leaf, Noatak and Point Hope, heralded their mature phase, which yielded the 20 ambient tracks of the album Boc Maxima (MUsic 70, 1995), particularly the melancholy Everything You Do Is A Balloon and their early masterpiece Turquoise Hexagon Sun.
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