Thanks for asking! I'm going to copy and paste and organize everything I've gathered from BoC. There will be some loose connections, and others that are more concrete. I'll go further by sharing things that are important to me and that remain relevant to this "initiatory ARG". There will be repetitions of what I've already said, it’s very long (17 pages).
And I know nothing and could be wrong on anything !!!
MHTRTC:
The cover could represent the 3 Principles (Sulfur, Salt, Mercury) and the 4 Elements (Fire, Air, Water, Earth).
The woman in white = Mercury, and the child she's holding = Fire. The other three are standing on the low wall = the Elements would be a "recombination" of the Principles in space-time, so in other words, a material manifestation of the Principles.
The first man, with his back turned, corresponds to Sulfur: he's looking in our direction = Sulfur is the universal consciousness we all share. We are all facets of this single consciousness. That's it, God the Father, it seems.
-First track lasts 77 seconds. 177…
-Telephasic could mean "Mental Synchronization"; which reminds me of the "synchronization of the brain hemispheres induced by binaural beats" (see Gateway Process).
-sixtyten (6th track) samples Earth, Wind & Fire, which supports the cover's hypothesis. BoC says "Sixty-ten" instead of "seventy." This might be for two reasons: a reference to France, therefore BoC's Hexagon; also to emphasize that 60 defines time and space (a unitarily perfect number), and that 70, which is abundant but not semi-perfect, is 60 (perfection) + 10 (completeness). I don't know what it means, but there's surely a metaphysical message. Perhaps we should delve deeper into Kabbalah and the Sephiroth?
60 and 70 are divisible by 7 different factors, but 60 falls perfectly, while 70 exceeds it (sum of the divisors = 74, the number of Christ).
I haven't gone much further with this album; I only really started analyzing it about two weeks ago. But it deserves in-depth analysis, because there are still tons of things I don't understand, assuming the Sandison brothers are indeed as I believe them to be, and therefore, that their work is… perfect (Leeloo Dallas Multipass).
-Hexagon Suns Studio at Pentlands Hills = Pentagon + Hexagon = 5+6 = Solomon’s Seal, Star of David, Transcendence.
-Geogaddi listening party at St John's Church, Edinburgh. Reference to esotericism. For those not very familiar with religions: there is the exoteric side, the Church, the Mosque, the Temple, with Holy Books, religious dogmas, etc. This is the "popular and political" side of Spirituality. The Silver Key of Saint Peter. But there is also esotericism, the "hidden" teaching, the one to which believers turn when they can no longer bear the constraints of exoteric doctrines.
Furthermore, regarding Jesus, his exoteric teachings (the four canonical Gospels: Matthew, Mark, Luke, and John, the latter linking to esotericism; these four books also represent the four elements (personal interpretation; symbology is not an exact science unless one is initiated, and even then, I don't know):
Matthew = Water, the Winged Man or the Angel (begins with the genealogy of Jesus, memory) = MHTRTC
Mark = Fire, the Lion (the voice of John the Baptist roaring in the desert) = Geogaddi
Luke = Earth, Bull/Ox (bull = the animal of sacrifice par excellence in the Old Testament; Luke begins with the sacrifice of Zechariah in the Temple) = TH
John = Air, Eagle (The eagle is the only animal that can look directly at the sun without burning its eyes. John takes on a higher plane from the very first words ("In the beginning was the Word...") to rise directly to the celestial spheres of Gnosis).
I realize two things: a) the sequence between the Gospels and the BoC albums doesn't match. So there's a bug somewhere. Yes, but: it might be a metaphysical key, if we make the connection with HHLL (the Gnostic prison, 4:44): "From the One becomes Two, Two becomes Three, and from the Three the One is born as the 4th": 1 Water (information, fundamental), 2 Fire (energy, light…), 3 Air (space-time), and space-time allows the materialization of information ("from the three the one is born which makes the 4").
So: the Bible gives us the sequence Water Fire Earth Air, in order to leave the door open to esotericism through John. Of course, the Church officially condemns esotericism and Freemasonry. But a) it is corrupted by Satan. See these clues: Inferno is released on May 29th, two days after Marcus's birthday, but above all, it's the feast day of Saint Paul VI, the Pope of the Second Vatican Council (see the Sedevacantists). Also see the Paul VI Hall, which features a serpent's head: all of this is part of the initiatory ARG (Analysis of Religious Life) which aims to make us understand… what I'm explaining to you with all these messages. If my interpretations are correct, because I know nothing.
So there you have it. Saint Peter has the Silver Key (exoteric), and the Golden Key (esoteric). So the Pope knows what's going on, as do, in my opinion, the greatest heads of state, who are playing out their script. The "big shots" are either in on it and working for the initiatory ARG, or they're being held by the balls and doing what they're told (compromise à la Epstein), or they act "wrongly" out of pure moral compromise and thirst for power, etc. This makes them, like all of us, extremely manipulable and predictable.
To conclude on this point: the Church condemns esotericism, but Revelation 13:18 states, “This calls for wisdom: the one who has understanding calculates the number of the beast, for it is the number of a man, and that number is 666.” This verse almost explicitly states that the Beast is within Man, and that if we want to understand it, we must calculate this number. This is what my esoteric research led me to do, as well as what Geogaddi later suggested when I discovered his profound esotericism. Furthermore, in the Bible, Eve disobeys the Father and eats the forbidden fruit. The Fall, in my understanding, is not a sin; it is a natural passage willed by God from the outset: in His Perfection, He knew exactly that Eve would disobey Him and lead Adam astray. This is a lesson on free will: our freedom stems from the fact that we are not God, therefore we are imperfect and do not know everything. We act tentatively, we make mistakes, and our morality interprets these as sins in order to encourage us to correct them (see the connection with the acronym VITRIOL). In short, this Fall corresponds to the moment when our ego (self-awareness) began to inflate, creating our "mental resonance cage" that allows for complex recursive thinking, etc. In short, this is when the notion of good and evil naturally arises for us (the fruit of the tree of the knowledge of good and evil). It is therefore a metaphor for the transition from our animal ancestor to humankind. We have "left the Present," therefore Paradise, to land in materiality, the illusion of separation, in short, the Mystical Simulation that allows Man to traverse life in order to understand, ultimately, that he is God candidly discovering himself.
Anyway, all this to say that if the Church condemns esotericism, it resembles the Father's prohibition: He knew Eve would disobey, and yet, it was in the Creator's plan, just as it is in the Church's plan that we all end up "crossing the line into esotericism." And that is also why it is "corrupted by Satan": if the Church is not pure and white, why should we obey it to the letter?
(I'm going off on a tangent, and it's probably quite difficult to follow me, good luck to you; if you find any flaws, etc., please don't hesitate to point them out!!!)
Back to Geogaddi lol:
-1 Ready Lets Go: 59 seconds = a complete cycle -1. Reference to the imminent end of times.
Jupiter's burst... There's something about Jupiter. It's a key to the initiatory ARG that I think I've decoded.
In 2001: A Space Odyssey... it's by surpassing Jupiter that the Hero achieves transcendence. The final shot of the film indicates a Human/Humanity Microcosm/Macrocosm correspondence, therefore, Christ is coming, and Humanity should emancipate itself by the end of Macron's term.
Because he was presented to us in France, by all the media, as Jupiter, a God on Earth, so perfect, young and dynamic… Of course, since he was born on December 21, 1977, Emmanuel = God among us; He went through Rothschild, and even saw Masonic symbolism during his investiture, as well as his prophetic words (like "The Beast of the Event is Here," released on our screens on... April 14, 2020). So: a reference to 144, an essential metaphysical number, and he was probably talking about Covid, since I see it as the event that will bring about the end of the world, when the scandal breaks, which should be... this year. I hope so!!!
-2Music is Math: 5 x 22 = 110. Arena Americanada = 5:22. AA = 11 = 2... I have the impression that the two are linked, but I don't really see how. The past inside the present. Geogaddi is very time-oriented (reverse samples...). BoC encourages us to find links with BoC's later works, notably Inferno, where Geogaddi's esotericism becomes overt. And the same goes for TH, I have I found some cool stuff with palindromic structure, I'll come back to that.
-4 Gyroscope: If the number 4 represents the Leviathan, the "Gnostic prison," or even the "dream of Vishnu" (in other words: a mystical simulation, a "dream of God where his creatures discover Him within themselves"), it's interesting that Marcus dreamed this music. This rhythmic loop, which evokes a cosmic breath, a perpetual cycle, combined with the dreamlike aspect and the title of the piece, evokes the ouroboros, the cycle of reincarnations and the evolution of our souls until we leave the number 4.
-5 Dandelion evokes freedom, while 5 evokes quintessence. Sample used: "Dive to the edge of Creation" (which evokes this boundary between 4 and 5, between human conditioning and divine freedom).
-7 Into the Annex: 1:22. If "Annexe" refers to Anne Frank, then perhaps 1:22 refers to the Bible: Exodus 1:22 "Pharaoh commanded all his people, 'Every male that is born you shall throw into the Nile.'" Or Genesis (Book 1), chapter 22: "God tested Abraham." ITA could mean... the sacrifice of our lives to nourish the Humanity 2.0 of tomorrow. All our suffering and all the blood shed will be justified...
-9, the Smallest Weird Number: 1:17, or 77 seconds. 70 / 9 = 77.7777...
-10: 1969: 69 represents yin and yang; square 4761, cube 328,509 (the only number to have this property, of giving all 10 digits from 0 to 9 only once).
10 = completeness (Pythagoras).
-An Eagle in your Mind: related to what I say later about the pineal gland / the Word becomes Flesh.
-13th track by Geogaddi = Opening the Mouth, 1 min 11 sec, with the repeated sample "Us". Pluribus = 13 immune. "My mouth is opened by Ptah" 23rd chapter of the Egyptian Book of the Dead, Geogaddi = 23 tracks.
-Followed by Alpha & Omega, 7 min 2 sec.
-Then I Saw Drones, 27 sec = 3³. These 3 tracks in a row encode 111, 72, and 33. I'm going to give a rundown on 111 so you understand why it's such a crazy key:
-Link between Khufu and the Bible: King's Chamber height = 11.1c, xPerimeter60 = 666; Revelation 11:1 “And a reed shall be given me…” Hebrews 11:10 “For he was looking forward to the city with foundations, the city whose builder and architect is God.” <=== We await the coming of the Heavenly Jerusalem on Earth, the one God intended for us from the Creation of the World = our evolution to the Higher Stage, when we will become a Super Civilization. Logically, by the end of the decade, it's a done deal… if my comparisons are correct.
-The body of the Statue of Liberty is 111 feet tall. She is a reference to Isis, who is herself linked to Mary. If there are so many similarities between myths and religions, it's because there is an important message to decode.
-The Great Pyramid of Giza is 1/11 of a mile high.
-1° of latitude on Earth = 111 km.
-The Magic Square of the Sun (of order 6) has a "magic constant" of 111 and its "magic sum" is 666.
-September 11th is the 111th last day of the year… So, if Humanity entered the era of "final oppression" during 9/11 (which was orchestrated by our elites, and even "prophesied" in the Back to the Future trilogy), it is also thanks to "111" that Humanity will be able to evolve and emerge from these 666 darknesse
-The number 111 in France:
The locality known as "Les Caires, Limons" is 11.1 km from the town of "Les Caires," which is 11.1 km from "Les Caires, La Chapelle"... This isosceles triangle therefore has two sides of 11.1 km, and its vertex, "Les Caires," is 111 km from "Les Caires, Marçais"... which is close to the Paris Meridian.
And the angle between the meridian and the line "Les Caires, Marçais" and "Les Caires" is 51.5°, that is to say, the angle of Khufu... In other words: Khufu is the Great Pyramid of Cairo, but in France, we have the Pyramid of Cairo, which encodes the angle of Khufu and the number 111... itself linking Khufu to the Bible.
-The devil is in the details: “Just relax and enjoy this pleasant adventure. Open yourself up to the greater wisdom and understanding. You are being transformed in a positive, healthy way.” This strongly validates the hypothesis “BoC = Atalanta Fugiens.”
Meaning of the title: BoC invites us to look at the details, like Revelation 13:18. The work of BoC transforms us from within (Atalanta Fugiente) and activates our “pareidolic engine,” prompting us to seriously engage with the initiatory ARG (Analog Resource Group).
-The Bent Pyramid (22 km / 72,000 feet south of Khufu) has two slopes, one of 54.3° (pattern = hexagon 6), and one of 43.2° (pentagon 5). It is therefore a symbol of Transcendence, and the transition from one to the other is 11.1°.
-The four walls surrounding the King's Chamber (thanks to its height of 11.1 meters) = 666 square centimeters; the floor = the ceiling = 200 square centimeters each.
Therefore, we have the calculation: 666/400, which gives 1.665. This number connects to the Eiffel Tower (1665 steps). Gustave was probably a Freemason; his Tower perhaps represents Cheops, with its pyramidal base and its three stages (= three main chambers). And 1665 + 111 = 1776, the Independence of the USA, but also the founding of the Bavarian Illuminati and the Lodge of the Nine Sisters (the 9 is perhaps linked to the nine "hidden seconds" of Inferno).
-Magic Window = 23rd track, 1 minute 46 seconds, which brings the album's total length to 66 minutes 6 seconds.
A reference to the Great Pyramid of Giza (Khufu), 146 meters? If the Great Pyramid is our Monolith, which helps us evolve spiritually when we "touch" it, perhaps it should be seen as the "Magic Window" that allows us to understand the keys to metaphysics… We've seen that the number 23 connects to the Egyptian Book of the Dead. Moreover, it's not "for the dead," but for the living: it's during our lives that we must become "perfect as our Heavenly Father is perfect" so that our hearts are lighter than a feather… this is the Chemical Wedding, the Ascension, or something like that, I imagine.
-Atalanta Fugiens plate 21: The Chemical Wedding… 21 = 7 + 7 + 7. Prophecy1420 with its 21cm.
14 + 7 ⇒ When we complete our 14 parts, when we align our 7 chakras with the Adam Kadmon, we "gain the 7 of divinity" = 21 = the Chemical Wedding.
TCH: barely worked, I only saw 3) Satellite Anthem Icarus 6:04 or 364 seconds.
The link with the "Satellite Anthem"
A satellite is a man-made object sent into space to orbit the Earth. It spends its time reproducing the cycle of days and years by observing the world from above.
Combining the word "Satellite" (modern technology reaching the highest reaches of space) with Icarus (the ancient man who soared too high into the sky), all timed to symbolize a year cut short just before its end... that's pure Boards of Canada. It's a metaphor for human pride (hubris) that believes it can control time and space, but ultimately leads to its downfall.
TOMORROW'S HARVEST:Released June 11, 2013 = 5+6+6+6 (reminder: Hex Pentlands)
I'm doing it as a "palindrome playlist":
-1 Gemini with the 7 trumpets (Revelation 8:6). 2:56 = 176s (177-1) or 2⁸, duality to infinity.
Reference to Marcus Manilius's Astronomica, from the beginning of our era.
Poem in 5 books, hexameter (5/6), like ARG for TH. It notably speaks of Castor & Pollux (Gemini).
The cosmos is rational; the stars are not arranged randomly; earthly events reflect a celestial order.
Since Cicada3301 used the exact same type of code at one point (I think?), perhaps Gemini is indicating a "partnership" between BoC/C3301? In any case, see the RC recruitment campaign in Paris in 1623; it was this connection that immediately made me think that C3301 were RCs or something similar.
-2 17 Semena Mertvykh 3:30 "Seeds of the dead" in Russian. Anagram of "ken me my harvest," Scottish for "understand me, my harvest"; connection with Outlander and BoC.
There's something about this number, 217, but I don't know what, except that it's 216+1. Maybe because 2:17 = 137s?
-3 2. "Reach for the Dead" 4:47
Clip: 2:33 (153, Christians = those who open themselves to God, according to my simplistic view) we see pink roses (Rosicrucian). The secret (sub rosa); hidden knowledge; divine love; spiritual transformation.
Prevalent in Christianity; alchemy; poetry; Hermeticism; Freemasonry; Sufi mysticism.
The clip ends with the sun "dividing into 3" (optical effect): a reference to the Trinitarian nature of reality: Sulfur, Mercury, Salt.
"Reaching the dead" = we, the common people, are dead because we believe in death, therefore we will die because we are what we believe. Christ / the Philosopher's Stone / the Chemical Wedding confer immortality, and this is what BoC, Cicada, religions, and Freemasonry in general are leading us towards. They want to reach the dead that we are, to make us live (the Water of Life: "But whoever drinks the water I give them will never thirst"... Water = Information = Gnosis, the esoteric teaching of Jesus. But: knowledge is internal, since God is within us, therefore: if we strictly follow the exoteric teaching of Jesus, like the greatest Saints and Mystics, we have the Holy Spirit, therefore we find the inner keys, and then the esoteric teaching matters little, or not at all, I don't know).
-4 16 "Come to Dust" 4:07
Perhaps inspired by Shakespeare's novel Cymbeline, an appearance of Jupiter (the only god to descend in a Shakespearean play). Incidentally (rephrased by the bot): Jupiter, the 5th planet, governs Tin and the assertion of the ego in the world. But the real key lies in the transition to 6: Saturn, the 6th planet, ruler of Lead and the famous Saturn Cube. The Cube, with its 6 faces, is the symbol of perfection attained in materiality, the 6x6x6 of the three-dimensional prison. Transcending Saturn means transforming this Cube into a Hypercube, linking materiality to the beyond. Moving from 5 to 6 means confronting the Guardian of the Threshold to definitively dissolve the lead of our ego and transmute it into spiritual Gold, into the Water of Life.
-5 3. "White Cyclosa"
White spider? Or is cyclosa the Greek word for "moving in a circle"? The arpeggiator references Romero's Day of the Dead (1985) (remember that in Aquarius, the highest number is 85).
193 seconds = 44th prime (Aquarius...). We find here the idea of the cycles of our souls' evolution, which we will find again in Inferno (Blood in the Labyrinth, All Reason Departs...).
-6 15 "New Seeds" 5:39 and Nuevas Semillias during the ARG. It was BoC who planted the seeds, broadcasting their musical alchemy on the airwaves and inviting fans to think outside the box. Thirteen years later, with Inferno, it's harvest time.
-7 4 "Jacquard Causeway" 6:35
TH revolves around the themes of decline, resource depletion, and the end of a cycle = Albert Jacquard
-8 14 "Sundown" 2:16
216 = 6x6x6 = 54 x 4. TH = 4th album, and BoC = 6 x 9 = 54 (54 is a recurring number in Inferno).
14 = reference to Osiris. Sundown could mean "world 666 where the Light of God is ignored;
the twilight of Humanity, where darkness compels it to piece together the 14 fragments and move from 666 to 777";
or the 14 parts within world 666.
Track 14 of the 4th album = 144.
216 x 4 = 864, the number of the Sun.
-9 5. "Telepath" 1:32
"Well it's quite pleasant; let's play it back and see what it sounds like; don't be nervous;" 1 2 3 4 5
Linked to 13 "Nothing is Real" (palindrome) with the same effect on the voice (13 = brings to mind Pluribus, Flower of Life).
Telepathy may refer to CIA work in the 1950s; consequently, one also thinks of the CIA's Gateway Project, which, with supporting scientific studies, explained that the nature of reality is holographic. Link with Telephasic?
The Microwave Auditory Effect: implementation of frequencies via microwaves, which is the opposite of the Gateway Process (instead of entering a higher state of consciousness with temporary dissolution of the ego, there is induction by an external source of an unsettling state, an artificial inner voice). Therefore, since the sample says "play it backward," it would be more of an incentive to test the Gateway (exploring the beyond within ourselves) than to try to manipulate others.
-10 13 "Nothing Is Real" 3:52
"Jesus, was it you? To flirt unkindly with my greed. Promising eternal life when you knew it wasn't right. When you knew that what I'd need was willingness and comfort there?" Perhaps BoC is highlighting the double game of the church (silver and gold key), which spreads the gospel while withholding the esoteric truths of Jesus, those that truly allow access to Eternal Life. Nothing is real, everything is a play, an alchemical opera that makes us evolve as we learn to decode it. Title possibly from Strawberry Field Forever, linking San Francisco / Structure Fine
-11 6. "Cold Earth" 3:42
222 sec. Marcus explains that they were particularly involved with a sample, probably the one at 1:54 (153+1). 222 / 2 = 111. 222 = 6 x 37… which is the 12th prime, therefore 12 x 6 = 72, a reference to God. 222 expresses the reconciliation of opposites, the perfect alignment between human will and divine will. 153 + 1, if the Earth becomes cold (End Times), it is because of our will (greed) and everything follows God's Plan.
In a palindrome playlist, it is the 11th track. 11 x 6 = 66. June 11th = release of the album TH, the Earth element warning us of the "cooling."
BoC might be telling us: "This world 666 is leading to the death of the Earth; let us rediscover unity in the trinity 111."
-12 12 "Uritual" 1:59 = 11 seconds (I'll come back to this with Inferno; there might be an important key here).
12² = 144, a metaphysical key because the Bible mentions it many times. It connects the first 5 numbers (1x2x3x4x5)² with the 5 Platonic solids (720 + 1440 + 2160 + 3600 + 6480), and the diameters of our celestial bodies, which are indexed to the Platonic solids (Moon = 2160; Earth = 7920 = Tet + Octa + Cube + Ico; Sun = 8640 = Cube + Dode).
-12 12 "Uritual" 1:59 = 11 seconds (I will return to this with Inferno; there may be an important key here). The 12 stars of Mary in a circle, when they "materialize" (in space-time, the square) become 144, the Wall of the Heavenly Jerusalem.
-13 7) "Transmisiones Ferox" 2:18
Transmisiones in Spanish, a reference to SF?
The theme of transmissions via radio waves (the album's theme) could refer to the information overload we've been experiencing for the last 15 years.
Repetition of: Nineteen Ninetynine 99 (A link to my 199 prediction?)
Radio transmission… "the others"…
Palind: 13 7… a reference to Structure Fine? Duration 138 seconds…
-14 11) "Split Your Infinities" 4:28
Sample of an MCA videodisc / FEMA on concentration camps, a conspiracy theory about the NWO.
14/11 = link to the Great Pyramid of Giza (base 440 / height 280 = √Phi). Pyramid = half-octahedron, therefore "infinity divided by 2". In a continuous mix, it apparently begins at 43:32, which refers to 432, the radius of the Sun, which itself encodes the Pyramid/Earth ratio (pyramid height x 43,200 = Earth's polar radius; pyramid base x 43,200 = equatorial circumference; the two calculations aren't ultra-precise, 99.6%, but accurate enough to be mentioned. There might still be a "key" to make it all work out perfectly, if I remember correctly, that's what Mathieu Laveau claims).
And since our day = 86,400 seconds… the builders used a scale factor of 43,200 that intrinsically links time (the seconds of half a day), the cosmos (the precession of the equinoxes, 25,920), and the Earth's geography (its polar and equatorial dimensions). It's the absolute "signature" of the three-dimensional matrix.
-15

"Sick Times" 4:16 = 256 = 2⁸
2:16 sample that sounds like "chemtrails".
Now, I'll come back to this with Inferno, but it makes a sublime connection with Pluribus. And consequently, also with Gemini, which lasts 2:56. So we have: 2⁸ x 2⁸ = 2^16 or 2⁸ + 2⁸ resembles 416.
-16 10 "Palace Posy" 4:05 Anagram of Apocalypse. We find the 4 (TH) and the 5 (Inferno), which was released in 2026 (16+10), that is to say, the year of the Apocalypse, in the sense of the Revelations, if I understand the signs of the Times correctly.
-17 9 "Collapse" 2:49 (169s): 169 = 13².
17 x 8 = 153… Incidentally, a fascinating metaphysical curiosity: 153 + Seal of Solomon = 666… Take the Seal of Solomon, place "153" in each arm of one triangle, place 153 in the arms of the other triangle, and in the opposite direction: counting the numbers one after the other, it gives: 135 + 531 = 666; 355 + 311 = 666; 553 + 113 = 666.
I would add that with this same diagram (my explanation is difficult to understand; you can see an image of it in my video "The Great Pyramid of Giza is a Monolith for Humanity" at 10:43), we find the ratio 355 / 113 = 3.1415929, or Pi at 99.999994%.
Ultimately, I feel like I've almost grasped an ultimate metaphysical key with TH: 17 pieces, centered on the number 9, with a duration of 169 seconds. 1 represents Unity, 6 the Macrocosm, and 9 the Laws of the Universe (or something like that). 69 is the only integer whose square and cube each produce digits from 0 to 9 once. This connects to the yin and yang symbol, which itself seems to represent the structure and mechanics of the universe.
So we have 8 pieces, Collapse, and 8 pieces. I believe Collapse = the collapse of the wave function, which transforms the infinite quantum potential (Mercury) into an infinite reality (Salt). 2⁸… Gemini… So 8 for Mercury, 8 for Salt, and 1 for Consciousness, the Ether that binds everything together, or something like that. Everything seems to fit together, even if I might be missing something for it to truly make sense.
So we have 8 tracks, Collapse, and 8 tracks. I believe Collapse = the collapse of the wave function, which transforms infinite quantum potential (Mercury) into infinite reality (Salt). 2⁸… Gemini… So 8 for Mercury, 8 for Salt, and 1 for Consciousness, the Ether that binds everything together, or something like that. Everything seems to fit together, even if I might be missing something for it to truly make sense.
Inferno:
-In the cassettes sent to fans, and therefore also in the video for Tape 5, which would later become Deep Time (track 13) at 36 seconds (6²), we find a Chi-Rho symbol: The Chi-Rho (or Chi-Rho, ☧) is one of the oldest Christian symbols. It is formed by superimposing the first two Greek letters of the word Χριστός (Christ): the Χ (Chi) and the Ρ (Rho).
It became famous when Emperor Constantine is said to have seen it in a vision before the Battle of the Milvian Bridge in 312, with the motto In hoc signo vinces ("By this sign you will conquer"). A symbol of both Christ and Christian victory, it was widely used in early Christian art, on sarcophagi, coins, and banners. It often represents Christ as the beginning and end of all things, especially when accompanied by the letters Alpha and Omega.
Alpha & Omega, 14th track by Geogaddi, at 7:02, 72 names of God (Chapter 14 of Exodus… the 72 disciples sent by Jesus, the Cosmic and Geometric Order…)
WARP 496: I already mentioned this at the very beginning, but I forgot to say that the binary representation of 496 is 1,111,0000, which is five 1s and four 0s. 5 albums, 4 official EPs/mini-albums (Hi Scores, Toism, IABPOITC, Trans Canada Highway).
BoC supposedly distributed 40 VHS tapes, each 42 seconds long?
40 is a significant number in the Bible (the 40 days and 40 nights of the Flood, 40 years in the desert, the Temptation of Christ...) and in Kabbalah (40 is linked to the Primordial Water, the gestation period, and therefore to maturity...).
And recently, confirmation of the Orch-OR theory established a link between microtubules (likely responsible for consciousness) and the brain's gamma waves at 40 Hz... In other words, 40 could be the "refresh rate of our consciousness" or something like that.
And as for 42: here too, it's a significant number in both esoteric and biblical traditions... Kabbalah interprets it as the 42 stages of the soul's journey. Furthermore, I really don't think Douglas Adams chose this number at random. But I think I understand what it's about (and I'm not the only one; I discovered the work of "Welcome to the Golden Page" yesterday. He passed away two years ago, and he had seen this too): The rainbow... That's the key. Because the shape and position of the rainbow depend entirely on the observer. It must therefore be seen as a hologram projected by the observer's eye... The connection is there: to put it very simply, the angle at which the rainbow appears varies from 40 degrees (violet) to 42 degrees (red)... In other words, from 40 to 42 could mean something like "the frequency range of reality / of our spiritual elevation"...? Or something along those lines?
The video of Tape 5 comes from Poème électronique, where Le Corbusier and his collaborators offer a surreal and futuristic vision of humanity. In the context of Boards of Canada's work, it can be interpreted as representing the moment when humanity comes to understand the spiritual nature of reality.
1) Introit: 36s: In "Tape 5," the Christogram appears at 36 seconds.
"Introit" is the Latin word for the entrance or introit: the liturgical chant or hymn that opens the Catholic Mass (part of the Eucharist).
BoC uses it here as a solemn gateway to the album, immediately establishing the religious/ritual/initiatory tone of all Inferno.
2. "Prophecy at 1420 MHz" 5:04
Single: Introit + Prophecy, i.e., tracks 1 and 2. Prophecy refers to the hydrogen line at 21cm (spectrum). Therefore, we have a palindrome: 1-2-2-1. 12 + 21 = 33.
Perhaps a reference to Revelation 12:1: A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head.
12:3 speaks of a seven-horned dragon: Inferno has Naraka as its seventh track.
Prophecy could also refer to the WoW signal, received on August 15, 1977 (the Feast of the Assumption of the Virgin Mary). This signal lasted 72 seconds (God's number). It's also the year of Macron's birth (Jupiter) and the year Close Encounter was released (this year, 49 years later, Disclosure Day, and 49 = 7 x 7).
The track uses vocal samples from the "In the Beginning Was Consciousness" lecture given by Seyyed Hossein Nasr at Harvard in 2003. BoC cut, rearranged, and processed the excerpts to create a new prophetic discourse. Consciousness, synchronicity, the transcendent source, the mind.
I am God the Ultimate Resonance: as I've already said (sorry for the repetition), the 14 "parts of Osiris" perhaps correspond to our 7 Chakras, which we must align with the 7 of Adam Kadmon to rediscover Unity (the Circle). The more we align ourselves with God within, the more our "wave" resonates with God's, possibly generating the feeling of love. When we reach ultimate resonance—dissolution of the ego, fusion of the 5 and the 6—the 14 parts become One, and the being is divinized.
The religion of the modern world—the scientific view of nature—what I believe: the new religion to come will synthesize all spiritual currents, with a new Theory of All Scientific that will answer our many current mysteries and scientific crises.
3. "Hydrogen Helium Lithium Leviathan" 4:44
HHLL = Hell, but also 8 8 13 13. 8 x 8 = 4 x 4 x 4… And 13 13 corresponds to M M, Michael and Marcus, 169 etc.
Hydrogen Helium Lithium Leviathan: Hydrogen, Helium, and Lithium are the first three elements of the periodic table, the first elements of the Universe, before stars forged heavier atoms.
The logical next step would have been the fourth element, "Beryllium." But BoC puts: "Leviathan"...
Leviathan, in Phoenician mythology and the Bible (particularly in the Book of Job), is the primordial sea monster, the beast lurking in the depths of the ocean, symbolizing chaos, the structure of the material Matrix that imprisons souls, or the Old World.
The Demiurge's Intrusion: Hydrogen (1), Helium (2), and Lithium (3) form a divine and pure trinity. By introducing the Leviathan in fourth position, BoC shows the precise moment when pure informational creation collapses, materializing in the dense physical world of the Demiurge (the number 4, the square, matter).
And this track lasts 4:44. (It reminds me of a track by Autechre, but I have no idea if they're into esoteric music).
"One becomes Two. Two becomes Three, and from Three emerges One as the Fourth." The Leviathan = the Fourth, confinement within this Simulation, within this Labyrinth, orchestrated by the Archons.
With their quintessential 5th album, BoC "breaks the 4th Wall"... almost literally.
And this also resonates with the hidden passage in Geogaddi, "From one Source all things depend." All of this = the teachings of the Emerald Tablet: Considered the foundational text of alchemy and Western Hermeticism, it lays out in a few lines the great principles of occult wisdom, notably with this central idea: "As above, so below"—in other words, the visible world (macrocosm) and the human being (microcosm) operate according to the same laws.
It is one of the most influential and most cited texts in the entire history of esotericism.
4. "Age of Capricorn" Sandison 3:52 = 332.
URMABUS: I interpret this as: the Beast is within us. Perhaps the Antichrist = us when we understand that Christ is our ultimate potential and that Satan does not exist?
At least that's what I believe, because God is omnipresent, therefore He is in Satan, and the latter inevitably does God's will in the end. So, Satan would be the personification of Man when we stray from God in our minds and hearts.
That's why the music of Boards of Canada is so elevated that it seems to come from supernatural entities; and why it places so much emphasis on 666 and Satanism. It's to help us understand what Revelation 13:18 tried to explain to us… The Beast is us when our pride leads us away from God, from Justice, from Truth, from Love…
5. "Father and Son" Sandison 3:24
You can hear "Allah Akbar" at 56 seconds. 5 + 6 = Transcendence.
The kick comes at 30 seconds = 5x6, or the 30 pieces of gold for which Judas betrayed Jesus. This seems to show that even in the evil of Man, there is the trace of God's plan: without Judas' betrayal, Jesus would not have been crucified, and therefore he would not have been able to fully glorify our Father and save humanity.
6. "Somewhere Right Now in the Future" Sandison 2:26
Double interpretation: the nature of time (Julian Barbour's Platonia, Universe Block, my worldview… The Past Inside the Present, Somewhere Right Now in the Future… Time and space are not fundamental, but emerge from information and consciousness).
Perhaps it is also the prophecy of the Coming of Christ to Earth in 2026… (music duration: 2:26)
7. "Naraka" Sandison 5:01 = 301 seconds.
Perhaps an invitation to connect the first verse of 12:1 with the third, the one that speaks of the seven-horned dragon.
Naraka is the name for hell in Dharmic religions (Hinduism, Buddhism, Jainism). Unlike the Christian hell (eternal), Naraka is a place of temporary purification where souls atone for their sins. Bad karma before rebirth.
In the context of the album Inferno, this track clearly represents the journey through hell:
Immersion in karmic suffering.
The dissolution of the ego through pain.
A necessary step in the alchemical/initiatory process (Solve) in order to bring about the Coagula (in other words, thesis and synthesis are confronted so that synthesis emerges; that, in principle, is the Coagula).
This ties into my interpretation of the number 666. The Father, the Son, without the Holy Spirit. Satan, Prince of this World. Since the Fall, we have been drifting away from God, and the more we do so, the more we suffer (Hell); but this suffering pushes us to reorient ourselves towards God (Alchemy, Spirituality).
So, Naraka, ultimately, would be referring to... our journey through the Labyrinth when we completely lost our way. And this also resonates with Jesus' revelation: "The Kingdom of Heaven is within you"... Here and now. In other words: just as Man contains Satan and God within himself, he can access Heaven and Hell, here on Earth. It all depends on his state of mind: if he is steeped in ego and materialism, etc., he is already "dead and buried" (he is visiting the interior of the Earth...); but if he "rectifies" and liberates his spirit, if he raises his vibrational frequency (New Age, but relevant in this context), he gains access to Paradise. BoC, like the Freemasons I suspect they are, knew that in 2026, Humanity would understand. We already understand... Hell is world 666, the New World Order as our satanic elites conceive it and are already implementing it upon our heads... It is up to us to work within ourselves and around us to bring the Kingdom of Heaven into our lives!!!
-8 Acts of Magic: 1:18, or 78 seconds = duration of the signal in Pluribus.
We hear several times in the music the sound of bees every 9 seconds (22s, 32s, 42s, 51s, 1:01, 1:10, each time with a different, more distant buzzing a few seconds later). 6 times the same sample... 6 x 9.
In Pluribus, the final countdown before the merge begins at -3:06:37, 3 x 6 x 37 = 666. Carol sees 8 chemtrails just before the merge, and we recall from Sick Times that at 216 seconds we hear "Chemtrails." Helen replaces Carol's books ("Freedom, Independence") with those of Diana Gabaldon, author of Outlander: "Voyager" and "Go Tell the Bees That I Am Gone," featuring a bee and hexagonal honeycomb.
These details validate my hypothesis: an advanced civilization left long ago to let us evolve at our own pace ("Go Tell the Bees That I Am Gone") while guiding us to gradually understand this story (hence the initiatory ARG we are experiencing).
Also worth linking to: Outlander takes place in Scotland, but I've already discussed that with "Semena Mertvykh"
9. "Memory Death" Sandison 2:37
This track confirms this vision, since we still hear the sound of bees at the beginning. It refers to the idea of a death of personal memory, which echoes the dissolution of the ego and the journey through the underworld (Naraka) seen as a radical purification: one must die to one's old self (and one's history) in order to be reborn. This is a rather extreme phenomenon during ego dissolution experiences; roughly what happens in Pluribus.
10. "The Word Becomes Flesh" Sandison 5:20
"The Word Becomes Flesh": this is the 10th track... Now, 10 = the Pythagorean Tetraktys.
That is to say, a triangle formed by the first four numbers.
1 = divine spark...
2 = duality, line...
3 = plane...
4 = volume, matter, the Leviathan...
The word becomes flesh: 5:20. 5 x 20 = 100, or 10²; flesh (completeness) squared (in spacetime).
Man is not merely a heap of biological (tamasic) flesh. He is a microcosm containing within himself the four kingdoms (mineral, vegetable, animal, spiritual).
Human incarnation is the only place in the simulator where the four levels of the Tetractys are united. We have a physical body (4), an animated soul (3), a psychic polarity (2), and a divine spark of pure consciousness (1).
Thus: the third track, HHLL, shows us that with the first three elements, the fourth emerges, the "Gnostic prison"...
And the tenth track, the track of completeness, reveals that we have everything within ourselves. The prison, the key, the plan... We are complete; we have everything we need to escape the Maze.
11. "Into the Magic Land" Sandison, Eoin 4:35
11 = 5 + 6, Transcendence. 4:35 = 275 seconds; it's a stretch, but 275 - 2 (11 = 1 + 1) = 273, a key number I've already mentioned, which appears at the end of Inferno, seemingly confirming this vision.
12. "Blood in the Labyrinth" Sandison, Eoin 4:55
Blood in the Labyrinth: this might be what I'm talking about... The Mystic ARG = our suffering in the Labyrinth.
Humanity watching its own catastrophes;
• collective passivity;
• the feeling of being trapped in a process;
• the inability to act.
The "Thread of Ariadne" = all the numbers and concepts that lead us to the exit (so that we realize that Reality = Simulation). And the blood = our suffering... See the Ouroboros: we devour ourselves, individually and collectively, until we reach the Truth. Order out of Chaos... And when we are in the Labyrinth, we experience chaos, suffering, death, and all of this feeds our DNA and our civilization with knowledge, with experiences... And today, we have an almost complete map of evil, so... it's as if the path to the exit of the labyrinth has been illuminated for us, by all our predecessors, our brothers and sisters, and the instigators of this ARG... Around 4:44, the end of the track, we apparently hear the same sample as Collapse, the central track of TH. This perhaps implies the collapse of our Gnostic prison = Humanity emerges from the Cave.
13. "Deep Time" Sandison 3:18
3 x 18 = 54… The number 54 appears frequently on this album, 9 x 6 = 54, and the Pentagon is 540° (Pentagon = 5 for the 5th album, the 5th element, the 5 Platonic solids, the union between the 5th Microcosm and the 6th Macrocosm, Hexagon, BoC…)
The 13 years of waiting between the 4th and 5th albums… The thousands of years of waiting for the return of Christ… All of this is nothing on the scale of cosmic time. Nothing is permanent, everything passes, even hell.
14. "All Reason Departs" Sandison, Eoin 6:14
14 = Osiris. Vitruvian Man, explaining the principle of chakra alignment, Adam Kadmon: 6:14 = 314 seconds, a reference to Pi, the Circle, therefore the Superman having "reassembled" his 14 parts.
All reason departs = abandoning strictly materialistic reasoning to embrace the mystical and transcendent aspect of Creation; rising spiritually to move from the square (Leviathan, Gnostic prison, ego…) to the circle (Spirit, God, Unity).
The music kicks in at 1:12, or 1:11 + 1, or 72 seconds, 72 being the number of God, of the Cosmos…
The track opens with fragments of a text by Aleister Crowley, taken from Magick, Liber ABA, Book Four, Chapter XII: Of the Bloody Sacrifice: and Matters Cognate. The sample appears to be from the documentary Megiddo II: The New Age (2005).
The identified passages are:
There is a magical operation of maximum importance...
The initiation of a new Aeon...
Before man is ready to accept the Law of Thelema, the Great War must be fought...
This bloody sacrifice is the critical point of the World Ceremony of the Crowned and Conquering Child, as Lord of the Aeon...
Book 4 connects to TH, chapter 12 connects to Uritual, which lasts 119 = BoC seems to explain what I believe, and what we can understand thanks to the Barely Human video "BTTF predicts 9/11"... Basically, 9/11 = a fundamental civilizational alchemical event, a collective trauma to tip Humanity into its final phase, that of the beginning of the end.
Great confirmation of my worldview: our true elites are applying the Ordo ab Chao doctrine to Humanity. They gradually oppress us, especially psychologically, while giving us all the tools to understand what is happening, to guide us to the great realization that we are... accomplishing, all together.
And there's a prediction to be made, based on the TDSOTM logo, which we rotate 180°: we then have multicolored rays converging downwards (towards the crash = our direction was wrong, we were heading towards ruin), entering a downward-pointing prism (symbol of Water, Information... 9/11 is linked to the democratization of the Internet, our "information drip," see also the IAO logo, which came from DARPA, itself a military project responsible for the internet... This resonates with Serge Monast's statements in the Toronto Protocols: there was a desire on the part of our leaders to "drown us in information technology." In short, within the prism, the light recombines. Then, it exits the prism as a pure ray (white light), heading upwards (the Kingdom of Heaven on Earth). Since, according to this image, 9/11 is the event "of the "beginning," then there will be a complementary event, that of the end of Humanity, which will usher us into our new world. So, I'm expecting a complementary event at 9/11 (perhaps our "official close encounter of the third kind," which some conspiracy theorists, following Serge Monast, refer to as the Blue Beam Project; except that I believe it will be very real), and I see this event on a date that encodes 199, because 911 + 199 = 1110, the Trinity and the Source, in short, emancipated Humanity.
15. "Arena Americanada" Sandison, Eoin 5:22
5:22 = 322s: 3 x 22 = 66.
5 x 22 = 110. 110 can perhaps be seen as a translation of 666: 2/3 of the Trinity. 110 + 1 = 111 = Father + Son + SE = Kingdom of Heaven, which is within us. In other words: we live in a world of 666, therefore 110, where we must add Unity in order to embrace the Trinity and bring the Kingdom of Heaven to Earth, moving from the world of 666 to 777.
Arena could represent England: Arena = sand, and Rome spread as far as England. The arena = circle; England = square, so there might be some kind of hermetic Masonic reference to help us understand that England is the cryptic evolution of Ancient Rome, which itself represents the world of 666.
Hypothesis: Arena Americanada could represent the triptych of Manifest Destiny, the Society of the Spectacle, the Simulacrum… And also Covid. Which is perhaps the greatest crime against humanity, a ritual sacrifice meant to push us toward collective maturity.
If Uritual refers to 9/11, Arena Americanada could refer to the Covid conspiracy.
5 22 could refer to May 22, 2020 (the Lancet Gate, the first major official and monumental breach concerning this story).
But most importantly: David E. Martin, an expert in cutting-edge technology patents, claims to have figured out the maneuver by England and the USA, who allegedly jointly manufactured the virus to release it to the masses in order to trigger vaccination campaigns (see Peter Daszik and his 2015 article, "With the hype, the crowd will follow the vaccine hype").
And since Canada played a key role (LNP technology, enabling mRNA vaccines), Arena Americanada could represent the England-USA-Canada trio, which manufactured the virus and the vaccine, and which used China to screw us all over.
By the way, here's one of the most striking pieces of evidence for my entire thesis (ARG Initiatic, Ordo ab Chao): look at the cover of The Economist – The World in 2019, published 13 months before the pandemic. It features:
- A pangolin: this is the animal presented from the very beginning of the pandemic by all media outlets, politicians, and experts as responsible for the transmission of Covid to humans… They all recited their script, as usual.
- A Vitruvian Man with a DNA mark on his arm: an obvious reference to mRNA “vaccines.”
- He is holding a smartphone with a QR code: this is when most people discovered QR codes, whose use has become widespread for the semi-mandatory vaccination passes in many countries…
- A panda with a mischievous look: a reference to the place where the virus emerged, China and its P4 lab in Wuhan.
- The Four Horsemen of the Apocalypse, on England: David E. Martin explains that England co-created the virus with the USA (University of Chapel Hill, North Carolina).
- A pug with the Union Jack, in North America: a reference to the USA and Canada, key players in the COVID-19 engineering (Lipid Nanoparticle Technology, without which mRNA vaccines wouldn't exist; see also the Winnipeg P4 lab and its "Chinese leaks," etc.).
- A stork carrying a bag with a barcode: a reference to the collapse in the birth rate, which had certainly begun well before 2020, but was amplified following vaccination campaigns… Countless accounts speak of more or less serious problems following the injections. And Sterz confirmed that fertility tests were bypassed. But what will our media, politicians, and "experts" do, other than ignore or downplay the phenomenon?
- Artemisia Gentineschi, an Italian painter whose first name refers to artemisia, the plant that many "alternative" doctors quickly described as effective against Covid... Let us also remember that HydroxyChloroquine was regulated in France in January 2020, at the very beginning of the pandemic, and given the cabal against Raoult, we have the right to think that those who developed this virus knew that HCQ and artemisia could be effective (in any case much more than what they almost imposed on us in violation of many rules).
-Walt Whitman !!! With his "Leaves of Grass", he became the leading figure of mystical poets, pantheist (Spinoza), close to transcendantalism (Emerson), linking Hinduism and Vedanta...
So: our Satanist elites concocted the Covid conspiracy, not to make billions and implement the Neo-Malthusian plan, but to force Humanity to open its eyes to the extent of Evil in this world 666. This is part of the "Uritual," the initiatory ritual that aims to unite us... and makes us understand that Walt Whitman was on the good path !!!
16. "The Process" Sandison, Eoin 3:01
Brings to mind The Process, Kundalini, Krishnamurti
And also the Process Church of the Final Judgment, described as a neo-Gnostic theology: the world must go through a crisis or an end to achieve a new form of unity = my thesis.
17. "You Retreat in Time and Space" Sandison 5:25
The title gives me the impression that these are transcendent beings, or angles, speaking to humans, saying, "You are withdrawing into space and space." In other words, it subtly suggests that we ourselves knowingly chose to come here when we were on the other side of the Möbius strip.
18. "I Saw Through Platonia" Sandison 2:39
"I saw through Platonia" = pierced the illusion, saw beyond appearances. Julian Barbour's theory.
In his vision:
Time doesn't fundamentally exist;
all moments in the universe exist simultaneously;
the universe is a vast, timeless landscape containing all possible configurations.
This is the idea I defend with my model…
I've already explained the Platonic correlations, the diameters of celestial bodies, 90 pieces of music, etc. I also mentioned Luca Pacioli in the original post.
This was the last track on the album. The total duration is 69:51.
The number 69 has the unique property: 4,761 squares 328,509 cubes, thus representing yin and yang, the structure of the universe.
51 could refer to the Great Pyramid of Giza, aligned with Orion; see Kubrick's clue in 2001 (48 minutes, the location of the monolith in the lunar crater is marked 51.5 alpha).
Proposition: The Pyramid is the Monolith of Humanity, and that's what Kubrick wanted to convey to us.
I've already talked about other things with 177… Leyland number, Alpha & Omega… BoC explains to us several times that they are transcendent.
And finally, as we saw with the Elements/Albums correspondence, here is BoC's Great Work, which aligns with that of Humanity:
MHTRTC = Water: Origin, memory, unconscious potential
Geogaddi = Fire: Trial, combustion, transformation
TCH = Air: Vision, elevation, gaining perspective
TH = Earth: Incarnation, confrontation with matter and its consequences
Inferno = Ether: Transcendence, revelation, return to the source
There you have it, I'm done, in broad strokes. Sorry for the repetitions, it's not easy to keep track of everything given the number of ideas and the fact that I'm talking about it here and there.
If you have any questions, comments, or criticisms, I'm here!
Cheers ♥
PS: If there are any seasoned scientists reading this, I'd like to present my intuitive cosmological model: I don't have an equation that proves anything, but this conceptual model offers solutions to many scientific mysteries (the trinity of Consciousness + Information = Matter; explanations of quantum phenomena, dark matter, dark energy, Hubble Tension, hyperinflation, etc.).
I've been talking about it regularly with the bots for a year now, and according to them it's great, but I'm wary and anyway, I feel like I can't go much further on my own, hence my requests.