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Josh wrote:I don't think it contains "some profound mystery", but for some reason I really want to know who's doing the counting and why it's there. My last post speculating on the source of the counting man has a staggeringly low probability of being anywhere near correct, but at the same time, no one else (to my knowledge) has offered up anything better.
Why is this so important to me? I'm not really sure. When I hear Telepath, I have this picture in my mind of an actor or more likely a broadcaster, probably English, standing in a vocal booth or sitting at a desk behind a microphone and he's getting ready to say something very important, but we, the listeners, don't get to hear the message! We only get the warm up sound check part. It's such a tease! And that's probably all it is, a tease meant to torment people like me who might care a bit too much about the devil in the details.
In_The_Annexe wrote:This track still makes me want to jump off a building during a lightning storm.
herxagernsurn wrote:In_The_Annexe wrote:This track still makes me want to jump off a building during a lightning storm.
Really? Interesting. This track makes me want to plant trees and volunteer at a homeless shelter! Just kidding! It makes me want to retreat into my bunker and clean the guns again while muttering bible verses under my breath in a misanthropic stupor.
Seriously though, this track sounds like it sampled some rare early cold war era footage of a weird psi experiment where the subject is asked to guess at Zener cards or some shit while having their brain waves entrained with binaural beats or something like that. I can see the grainy footage in my head. I am certain it will surface at some point.
mechanismj wrote:I dunno. It just makes me want to adjust my radio so that Madonna's Live to Tell comes in clearer.
I do love it, though.
In_The_Annexe wrote:mechanismj wrote:I dunno. It just makes me want to adjust my radio so that Madonna's Live to Tell comes in clearer.
I do love it, though.
Wow, I've always wondered why this track sounded familiar... That explains it. Thanks for letting me know that. My mother was a massive madonna fan and so I must've heard it as a child on TV! Wow. That clears that up. Haha
machinea wrote:The day they played this album it was noon on the west coast and I got well and truly high just as it started and sat in rapture for the entire hour listening to TH. I was also on here reading the reactions in real time. That album release was like Christmas and my birthday wrapped up as a child and delivered to me as an adult. I got immediately where they were headed with it, it was a film score to a movie that doesn't exist, something between early 80s horror and the Apocalypse. It also was damned outstanding production and mixing and less lofi than previous releases. It's a heavy album, it isn't whimsical at all like earlier offerings. These guys are the same age as I am so I feel a kinship to the journey of our decades and having pretty similar influences and exposure to things at the same ages. It felt like a natural progression to me in content and style.
Josh wrote:I don't think it contains "some profound mystery", but for some reason I really want to know who's doing the counting and why it's there. My last post speculating on the source of the counting man has a staggeringly low probability of being anywhere near correct, but at the same time, no one else (to my knowledge) has offered up anything better.
Why is this so important to me? I'm not really sure. When I hear Telepath, I have this picture in my mind of an actor or more likely a broadcaster, probably English, standing in a vocal booth or sitting at a desk behind a microphone and he's getting ready to say something very important, but we, the listeners, don't get to hear the message! We only get the warm-up sound check part. It's such a tease! And that's probably all it is, a tease meant to torment people like me who might care a bit too much about the devil in the details.
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