Helios wrote:I must be an absolute idiot, because I don’t hear a guitar!
Comes in with the drop at 0:55! Low and dark and echo-y. Sounds almost like the darker side of New Wave or Post Punk.
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Helios wrote:I must be an absolute idiot, because I don’t hear a guitar!
turquoise70 wrote:Helios wrote:I must be an absolute idiot, because I don’t hear a guitar!
Comes in with the drop at 0:55! Low and dark and echo-y. Sounds almost like the darker side of New Wave or Post Punk.
Bovirl
turquoise70 wrote:Helios wrote:I must be an absolute idiot, because I don’t hear a guitar!
Comes in with the drop at 0:55! Low and dark and echo-y. Sounds almost like the darker side of New Wave or Post Punk.
llydia wrote:turquoise70 wrote:Helios wrote:I must be an absolute idiot, because I don’t hear a guitar!
Comes in with the drop at 0:55! Low and dark and echo-y. Sounds almost like the darker side of New Wave or Post Punk.
He fell through the magic window because of the bombastic sauce beheld in this release
Crisps wrote:Gosh what a phenomenal track to be treated to. A perfect distillation of everything we know and love plus a little extra on top. It's been a great couple of weeks anticipating the new record - these are the good days!
I would love to know where the middle eastern woodwind instrument was sampled from, it's so damn eerie. As a drummer I also love the amount of space between snare hits this type of beat allows for extravagant stick spins!
MyKneesAreCold wrote:Anyone else hearing something very similar to the melody in the intro of Everything You Do Is A Balloon around 2:55-3:30? Kinda hidden in the back of the mix
turquoise70 wrote:Helios wrote:I must be an absolute idiot, because I don’t hear a guitar!
Comes in with the drop at 0:55! Low and dark and echo-y. Sounds almost like the darker side of New Wave or Post Punk.
armotron wrote:turquoise70 wrote:Helios wrote:I must be an absolute idiot, because I don’t hear a guitar!
Comes in with the drop at 0:55! Low and dark and echo-y. Sounds almost like the darker side of New Wave or Post Punk.
what drop at 0:55? i don't hear any guitars until the drop at 1:31...
Den wrote:Yes, I’m feeling connected to my instincts because after the Mr. Mistake Remix was released I remember thinking “I hope their sound continues to move in this direction.”
Glen_Glog wrote:I am happy that i still have no idea what this sounds like with all the commenting
The Other wrote:Long post and Spoiler warning. Though if you’re reading this thread I’m sure you know what you’re in for with these posts.
I’m out of town for work. Just now got a chance to watch, listen, watch and listen again. Scrolling through the comments it’s cool to see everyone’s reactions and observations. Many mirror my own.
Introit is just classic BoC intro track, jingle, analog warm goodness…these type of title track and interludes will never get old. It welcomes you right back into a familiar place.
Then C-C-C-Consciousness. (One of my favorite little parts of Prophecy by the way)
We are taken to what at first listen feels like alien territory for BoC but after my second listen…it wasn’t nearly as much I thought. At just over 5 minutes you get almost 4-5 different sections of the song.
The first :50 seconds or so to when the Cocteau Twin-esque guitar riffs. (Someone here mentioned Robin Guthrie and my mind went there immediately when I heard the guitar kick in.) This is something I kind thing Early BoC/ Hell interface would sound like.
Then at 2:00 minutes or so we get some classic arpeggiated BoC panic.
That carries us into the amazing modulated vocal segment. My mind went to Black Moth Super Rainbow/VHS Head but, with a sample that seems like it could’ve easily been recorded during the geogaddi era. Just far less subtle with its message.
The final moments around 3:46 begin to pull you out of the journey. The analog tones feel almost like a distant beacon transmission, guiding you forward until, at 4:06, the song settles into its most warm, optimistic, and mellow section of the song.
With all that said, this may genuinely be the most “Boards of Canada” Boards of Canada track they’ve ever made. It feels like a culmination of nearly every sonic idea and emotional texture they’ve explored throughout their entire body of work.
Lastly, if this is a taste of how well the rest of the album is going to sound as far as production…we are all in for a real treat.
But we kind of all knew that anyway didn’t we?
C-C-C-Consciousness!
harpoon dodger wrote:
Well freaking said dude!! Absolutely agree on the BMSR/VHS Head vibes on the vocal segment. It's on repeat in my brain already.![]()
Its the BoC song that celebrates BoC!

Bovirl
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