The more relevant this opening paragraph from Pitchfork's TCH EP review becomes:
Quality control has never been much of a problem for Boards of Canada. With only three full-lengths and three original EPs to show for its 11-year discography, the duo has magnified its legacy at least partly by indulging in generous spells of inactivity. The infrequency of BoC's output has not only fed into the mythos of their carefully cultivated brand, it's also engendered a level of trust that's served as a consolatory point of pride for fans who've felt shut out by the duo's otherwise total remove from the peripheral obligations (live shows, videos, interviews) of being a musical act.


