TTK's Tunes - Come on in!

[The Telepathic Kid]

It's just that I remember someone saying that I've got a very original sound.
I took that as a compliment.

[oyster]

Not really that original but it sounds really great! So don't sweat the small stuff, you know?

[The Telepathic Kid]

Two more songs for you to eat.

[The Telepathic Kid]

No?

[CoBoC]

Hmm... personally didn't like Art of Deconstruction much at all, and Reindeer needs to get to the interesting bass part faster.

[The Telepathic Kid]

Because it doesn't sound like BoC? <_<

Just kidding.

[The Telepathic Kid]

Got another one up.
I need more comments, this is starting to become just a topic with me posting.

[Shadowshocker]

I really like Nae Tschun, I think it may be my new favorite of yours. You're getting really good with the transitions in your music.

[The Telepathic Kid]

Funnily enough, one of the people who's really liked my past work has said it's one of my weakest efforts yet.

[The Telepathic Kid]

Two more, gogogo.

[Vordhosbn]

I like where you are going as you make more tracks...but one thing I haven't noticed come into play much in your tracks is the shaping and texturizing of your sounds. Right now it seems you are relying a bit too much on slowly building the tracks, using repeating loops and added elements to show a sense of movement. I saw in "reindeer" you were changing the eq on the saw synth, that is good, keep that up. My suggestion to make your tracks a bit more impressive is that you start to vary your dynamics more and 'grit' up your synths.

[The Telepathic Kid]

Thanks Vord, I like comments like this.
On how to improve more musically.
Not just "Be more like BoC"

I love BoC, but I think their sound is sacred, and that people shouldn't try to replicate it, 'cause then it loses all the awesomeness.

Not saying that they aren't bad. I mean, people saying I should be more like BoC is a compliment, it's like saying "Reach for the stars! You can do it!"

It's just that I don't want to go that way. >_>

[bleak.]

i really like stilton, personally i would have played about with the structure of the song, it builds up...and up...and i'm waiting for something to happen, even if its some simple drums to support the melody. i also like the bass synth in the background, but would personally raise it slightly. the ending of the song has the right idea, but the notes become a bit muddled causing the piano to sound a bit out of tune.

nae tschun is another track i enjoy, the drums work well with it, but it's missing this something that would support the drive and flow of the track.

art of destruction reminds me of some noise-core type band i once played in, consisting of manipulating the sounds of cheap keyboards through huge number of pedals! its good!

oh, and reindeer has a great ending to it!

anyways, i hope you take this as positive criticism! you're progressing nicely! x

[The Telepathic Kid]

Thankyou!
I always need more.

[The Telepathic Kid]

New track up.
Give us your thoughts.
I worked quite hard (read: a solid week's work) on this one, so gimme lotsa feedback.

[The Telepathic Kid]

Bump.

[Magic Brenda]

"Over my dead body" - The pallet is too harsh for me so I couldn't listen to it.
"Dino" - Not a bad track at all but I think you overdid the reverb a bit.
"Stilton" - Very nice, I'm a sucker for any thing pianoey.
"Nae Tschun" - Love the rhythm, this is probably my favourite track.
"Art of deconstruction" - Again, sonically just too harsh for my taste.
"Reindeer" - I like this too, I would have liked the Apache sample to come back in towards the end.

[The Telepathic Kid]

I've been listening to a lot of Merzbow and Black Dice.
That's probably where the harshness comes from.

[Magic Brenda]

Yeah, that would do it!

[The Telepathic Kid]

TTK is now on Last.fm!
Download so I get more listeners! >_>

http://www.last.fm/music/TTK